ART-209 Printmaking

An introductory survey of the materials and processes used in the production of multiple fine arts prints. Basic techniques of relief, collagraph, intaglio and screen printing will be explored from both traditional and contemporary aspects.

Credits

3

Prerequisite

ART-102 and ART-104

Lecture Contact Hours

6

Lab Contact Hours

0

Other Contact Hours

0

Department

  • Visual and Performing Arts

Grading Scheme

  • Letter

SUNY Gen Ed Credit

  • No

Course Learning Outcomes

  1. Define and articulate the vocabulary of terms used in printmaking through quizzes, individual and group critiques.
  2. Apply the principles of design and proper use of techniques and materials to produce finished prints and editions.
  3. Practice integrity by properly labeling prints, numbering editions, and canceling (destroying) a plate when the edition is complete.
  4. Exhibit understanding of the creative process from concept through finished product using a variety of measures, including: thumbnails, finished sketches, revisions, working critiques and reflective writing.
  5. Evaluate visual concepts through critiques and oral presentations, demonstrating the ability to communicate ideas and receive constructive feedback.
View Course Outline

ART 209: Printmaking

Department

Visual and Performing Arts

Course Description

An introductory survey of the materials and processes used in the production of multiple fine arts prints. Basic techniques of relief, collagraph, intaglio and screen printing will be explored from both traditional and contemporary aspects.

Credit Hours

3

Contact Hours

Lecture6
Lab0
Other0

Grading Scheme

Letter

Prerequisites

ART-102 and ART-104

Course Learning Outcomes

  1. Define and articulate the vocabulary of terms used in printmaking through quizzes, individual and group critiques.
  2. Apply the principles of design and proper use of techniques and materials to produce finished prints and editions.
  3. Practice integrity by properly labeling prints, numbering editions, and canceling (destroying) a plate when the edition is complete.
  4. Exhibit understanding of the creative process from concept through finished product using a variety of measures, including: thumbnails, finished sketches, revisions, working critiques and reflective writing.
  5. Evaluate visual concepts through critiques and oral presentations, demonstrating the ability to communicate ideas and receive constructive feedback.

Topic Outline

  1. Introduction to the history of printmaking and printmaking techniques.
  2. Discussion of the primary innovators of printmaking techniques.
  3. Introduction of the basic techniques used in the course.
  4. Drawing the head and features.
  5. Methods required to transform a drawing into a successful print.
  6. Woodblock prints.
  7. How to develop a working print (relief).
  8. Editioning and control of the final prints.
  9. Monotype prints.
  10. Using a template to make prints with even margins.
  11. Collagraph prints.
  12. How to develop a working print (intaglio).
  13. Drypoint prints.
  14. Using a wet pack.
  15. Presentation: Matting, mounting, and framing techniques.