MUS-117 Master Composers II
The complimentary study (with MUS 111) of canonic pieces of Western Music Literature as well as critical issues involved in the assertion of canonicity or "greatness". Students will consider a number of genres including concerti, opera, and symphony.
For more detailed course information view the
Course Outline
Department
Visual and Performing Arts
Course Description
The complimentary study (with MUS 111) of canonic pieces of Western Music Literature as well as critical issues involved in the assertion of canonicity or "greatness". Students will consider a number of genres including concerti, opera, and symphony.
Credit Hours
3Course Learning Outcomes
- Apply basic technical nomenclature pertinent to engaging music literature (concerti, opera, fugue, and symphony) parametrically and structurally
- Apply basic features characteristic of conventional historic style periods
- Write a response to selected texts in order to construct an informed aesthetic judgment
Topic Outline
- MUS 117 proceeds by genre, investigating the concerto, opera, and the symphony; within each genre, we proceed more or less chronologically.
- 1. Concerto
- a. Structure and style
- b. Chronology and influence
- 2. Opera
- a. Structure and style
- b. Chronology and influence
- 3. Symphony
- a. Structure and style
- b. Chronology and influence
- 4. Experimental music (if time allows)
- a. Style
- b. Chronology and influence
- Specific repertory varies from term to term. We will concomitantly consider various topics in canon formation and criticism; issues arising from these considerations will be the basis for in-class journaling and periodic writing assignments, as described above.